Works 2019

CLIMAVORE: For the Rights of the Soil Not to be Exhausted
site-specific installation. Opening of Room 31 in Bessarabka market underground cellar; archival display of photographs, replica memorabilia, maps, clay figurines, chernozem soil; red/blue lighting; six performative public discussions; site-responsive bread recipes and public tastings; legal draft granting the soil the rights not to be exhausted. “Soil Talks” will take place in the underground cellar of Bessarabka Market at 3 p.m.: Holodomor Famine (9 Feb), Kurgans (16 Feb), Windbreaks (23 Feb), Water in Crimea (16 March), Financialisation of the Soil (23 March), Migrant Grains (30 March). Co-produced by PinchukArtCentre
Oh Shining Star Testify
3 channel video, sound, wooden boards
Declaration of Intent and Doubt
3 channel video, 7'15". Produced by PinchukArtCentre
(VRPH Bar 1) and (VRPH Bar 2)
cast steel, рrovenance: Vinnitsa Regional Psychoneurological Hospital. Produced by PinchukArtCentre
RE-ANIMATED
2018-2019, multimedia installation: VR (15’00”), extinct Kaua‘i ‘ō‘ō bird audio, 3D scanned foliage, micro microphone, bug zapper, LED light, truss, custom build computers, mulch, videos Arrival (10’30”), Mating Call (2’32”) and Bug Zapper (5’40”). Originally produced with support by Bikuben Foundation, The Danish Arts Council, Harvestworks and Mana Contemporary Produced by PinchukArtCentre
t 1 ⁄ 2
video, 3D remote sensing scanning, 18’00”
Untitled (ambient sound of the inside of a pyramid / one year of solar oscillations 10/96-10/97)
MP3, Courtesy of the Artist and Commonwealth and Council, Los Angeles
Lineage for a Multiple-Monitor Workstation: Number One
2015, 2 channel video installation, colour, sound, in loop, 25’24”. Courtesy of the Artist, Electronic Arts Intermix and Bridget Donahue Gallery
The Firm
charcoal, pastel, and pencil on paper. Courtesy of Jack Shainman Gallery
Quantitative Infinity of Objective
інсталяція: дерево, метал, дерматин, поролон, тентова тканина, аудіо, перформанс. Надано художницею. Створено за підтримки PinchukArtCentre
Barbarian
video, in loop, 12’09”. Courtesy of the Artist
Thresholds
black ink pen on layout paper. Courtesy the Artist and C L E A R I N G, New York / Brussels
Let My People Go
5 channel audio-visual installation, 6’00”. Recorded in the Muina Murui, Nɨmaira Nàɨmeke ɨbɨke community (Colombian Amazon). With: Cristobal Gomez Abel, Pedro Armando Sopín Morales, Harold Jeferson Gómez Florez, Gilber Olmedo Morales Special thanks: Cabildo indígena Comunidad km 11 Muina Murui, Aura Torres Farina Tofe, Carmen Sofía Gaspar Florez, Libardo Santana Florez, Marie Darel, Jerome Dopffer, Simón Velez, Juan Alvaro Echeverri, Hipólito Candre Produced by Studio Arturo Lucia Co-produced by PinchukArtCentre and Centre national des arts plastiques.
Nothing is Solid. Nothing Can be Held in my Hand for Long
hand-hammered brass, multiple part installation. Courtesy of the Artist and Galeria Madragoa, Lissabon
This Song is for…
Vault
light box, metal frame, faux stone, clay, digital prints. Produced by PinchukArtCentre and Galerie Imane Farès
Dead Pan Ham#2
multimedia installation. Concept initially developed for les Ateliers de Rennes Produced by PinchukArtCentre
Triumphal Arch (Bowels)
poplar wood, silver point, pigment, vinyl and acrylic paint. Courtesy of the Artist and Gladstone Gallery, New York / Brussels
No History in a Room Filled with People with Funny Names 5
multimedia installation, 30’44”. Courtesy of Carlos/Ishikawa London, C L E A R I N G New York / Brussels, Bangkok City City, Bangkok
Bivalvia
multimedia installation: shipping container, wallpaper, framed photograph, hangers, ashtrays, mirrorball, LED lights, carpet, sofas, tables, script, video. Co-produced by PinchukArtCentre Special thanks: Tatiana Kochubinska, Elena Torop
Empire Dye
reinforced styrofoam, paint. Produced by The Soap Factory, Minneapolis, the USA
Bow Echo
Bow Echo, 2019 5-channel digital video, colour, sound, 4’17’’. Courtesy of the artist
CLIMAVORE: For the Rights of the Soil Not to be Exhausted
archival display of photographs, replica memorabilia, maps, clay figurines, red/blue lighting; legal draft granting the soil the rights not to be exhausted
Oh Shining Star Testify
2016-2019, 3 channel video, sound, wooden boards
Declaration of Intent and Doubt
3 channel video installation, 7'12" Produced by PinchukArtCentre
(VRPH Bar 1, 2), 2019
cast steel, рrovenance: Vinnitsa Regional Psychoneurological Hospital Produced by PinchukArtCentre
RE-ANIMATED, 2018-2019
multimedia installation: video, dirt, truss, custom build computers, room-scale VR, 15’
t1/2
video, 3D remote-sensing scanning
Two Plain Stellas in the Looters Pit at the Top of the Sun Pyramid at Teotihuacan, Mexico
graphite on paper
Eclogue for [in]HABITABILITY, 2017
backhoe workstation, 3 channel projected video, 3 channel video on 16:9 monitors, 3 led panels attached to ceiling
The Firm
2017-2018 charcoal, pastel, and pencil on paper
Quantitative Infinity of Objective
wood, metal, sound, performance
Barbarian
video,12’09”, ceramics
Gisant II (from the FOXP2 series),2016
HD polystyrene, resin, fibreglass, white paint, acrylic parts, latex, nylon, sprayed metal stand, sound
Let My People Go
5 channel audio-visual installation, 6’
Thread
hand-hammered brass, painted wood, crystal clear polyurethane casts
ELEGY
7-channel video and sound installation
Vault
2019 light box, metal frame, faux stone, clay, digital prints
Alien Technology
2014–2019 fiberglass, automotive paint
Dead Pan Ham #2
multimedia installation
Legend: Bowels, Syrinx, Amber Room and Star Chamber
poplar wood, gouache, silver point
No History in a Room Filled with People with Funny Names 5, 2018
multimedia installation, 30’44”
The Last Ball
3-channel video installation 10’34 and 31’44”